Großhandelsöl Streichend Kein Minimum An
 
 


BELLINI, Giovanni Crucifix oil painting reproduction


BELLINI, Giovanni
Kruzifix
Crucifix
Gemälde IDENTIFIZIERUNG::  5026
 c. derTempera von 1455 auf Holz, 54.5 X 30 cm Museo Correr, Venedig
c. 1455 Tempera on wood, 54,5 x 30 cm Museo Correr, Venice

 
 
   
      


Cimabue Crucifix oil painting reproduction


Cimabue
Kruzifix
Crucifix
Gemälde IDENTIFIZIERUNG::  30383
 mk68 Tempera und Gold auf Holz Arezzo Kirche von Sankt Domenico C. 1275
mk68 Tempera and gold on wood Arezzo,Church of San Domenico c.1275

 
 
   
      


BRUNELLESCHI, Filippo Crucifix oil painting reproduction


BRUNELLESCHI, Filippo
Kruzifix
Crucifix
Gemälde IDENTIFIZIERUNG::  32260
 1412-13Hölzer
1412-13 Wood

 
 
   
      


unknow artist Crucifix oil painting reproduction


unknow artist
Crucifix
Gemälde IDENTIFIZIERUNG::  42819
 mk170 1275-1280 Egg temper on poplar 92.1x71cm

 
 
   
      


Cimabue Crucifix oil painting reproduction


Cimabue
Crucifix
Gemälde IDENTIFIZIERUNG::  55906
 mk247 1287-88,oil on panel,176x153.5 in ,448x390cm,basilica di santa croce,florence,ltaly

 
 
   
      


Cimabue Crucifix oil painting reproduction


Cimabue
Crucifix
Gemälde IDENTIFIZIERUNG::  58394
 Crucifix, 1287-1288, Panel, 448 x 390 cm Basilica di Santa Croce, Florence.

 
 
   
      


Michelangelo Buonarroti Crucifix oil painting reproduction


Michelangelo Buonarroti
Crucifix
Gemälde IDENTIFIZIERUNG::  62892
 1556 Black chalk and white lead on paper, 412 x 279 mm British Museum, London The drawings Michelangelo did for his own personal use show us better than any of these other works something of the artist's development during his last years. The last of the six drawings of Crucifixions, depicting Christ on the cross between the Virgin and Saint John, is probably to be dated to 1556. This shows us, once again, those same ideas which had tormented the artist during his work on the PieteRondanini: "Oh! Flesh, Blood and Wood, supreme pain, Through you must I suffer my agony." These lines, which the artist had written at the age of 57, seem to convey the dominant feeling in the Madonna and Saint John, gathered around the Cross. Fear and pain have drawn the Madonna to Christ's body, while St. John turns towards Him in supplication, with one arm around the Cross. In this female figure there is nothing of the Mother of God represented in his 1499 Piete nor does the Evangelist recall anything of the 1505 St. Matthew. Nowhere are the changes of this half century so clearly demonstrated as in the life and work of Michelangelo Buonarroti. Artist: MICHELANGELO Buonarroti Title: Crucifix Date: 1501-1550 Italian , graphics : religious

 
 
   
      
Michelangelo Buonarroti
b Caprese 1475 d Rome 1564
Crucifix
1556 Black chalk and white lead on paper, 412 x 279 mm British Museum, London The drawings Michelangelo did for his own personal use show us better than any of these other works something of the artist's development during his last years. The last of the six drawings of Crucifixions, depicting Christ on the cross between the Virgin and Saint John, is probably to be dated to 1556. This shows us, once again, those same ideas which had tormented the artist during his work on the PieteRondanini: "Oh! Flesh, Blood and Wood, supreme pain, Through you must I suffer my agony." These lines, which the artist had written at the age of 57, seem to convey the dominant feeling in the Madonna and Saint John, gathered around the Cross. Fear and pain have drawn the Madonna to Christ's body, while St. John turns towards Him in supplication, with one arm around the Cross. In this female figure there is nothing of the Mother of God represented in his 1499 Piete nor does the Evangelist recall anything of the 1505 St. Matthew. Nowhere are the changes of this half century so clearly demonstrated as in the life and work of Michelangelo Buonarroti. Artist: MICHELANGELO Buonarroti Title: Crucifix Date: 1501-1550 Italian , graphics : religious

Related Paintings to Michelangelo Buonarroti :.
| The Raft of the Medusa (mk10) | Lambert04 | Peter the Great Riding to Hounds | Regulus Returning to Carthage | Portrat Otto Winter |

        
 
   
 

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